Oyez oyez

I marked my 5^th blogiversary and promptly disappeared from the blogosphere. Ongoing family stuff, you know how it is… So this is a have-to-write-one-now-or-may-never-make-it-back post. It’s a miscellany of announcements. Are four items enough for a miscellany? A mini-miscellany, perhaps.

First, my enterprising German translator Michaela Pschierer-Barnfather persuaded me to record an extract from The Infinity Pool – me in English, she in German from Der Infinity-Pool. This is for the YouTube channel TranslatorsAloud –  also on Twitter @LoudTranslators. It’s a great site showcasing literary translators and my debut novel is privileged to provide their first item of translation out of English! Literary translators (indeed all translators) are an overlooked and undervalued breed. In the days of foreign travel I often used to marvel at the number of bookshops and the size of their translated stock, the evident enthusiasm of overseas readers for the words of other cultures and languages. Meanwhile we in Brexit Britain point our stubborn, leaky boat vaguely towards Australian harbours that probably don’t want us. I invite you to be the judges of my recording as I can’t bear to watch more than a few sentences of myself. Michaela’s came out really well and I do wish this hard working, professional translator and everyone else on this fascinating site good sales and many enjoyable projects to follow. Here we are in all our glory: https://www.youtube.com/watch?v=bDq9QFu2NrQ&t=4s

Michaela

Second, I promised fellow author and blogger Gail Aldwin I would publicise her blog on mine. Gail has many gifts – writing, teaching, warm encouragement of fellow human beings – but also one problem. For some reason Facebook will not let her post items from her blog, which is just rotten for an author. Anyway, back in March Gail approached me for a review of her book This Much Huxley Knows. I snapped that I don’t take review requests. She apologised for asking and offered to review The Magic Carpet instead and to interview me on her blog. I took her up on both offers, and the review was great. How generous is that? I said – in some shame – I would reblog my guest post from her blog. Then WordPress wouldn’t let me. The social media gods really do have it in for this blameless person. So she suggested I copy and paste it. But I think it’s better read in its original home on Gail’s blog because then you can also explore her books and the writer services she offers. Thank you again, Gail, for the opportunity, and I wish you good luck with your books and better luck with social media.

Item three. Many indies dream of getting a “proper” publisher, but fate can still intervene against mainstream publishers and authors. You may have read a rave review I wrote of Kevin Sullivan’s first-in-a-new historic Glasgow crime series, The Figure in the Photograph, published by small but historic firm Allison and Busby. Sullivan writes a jolly good detective yarn with engaging characters, interesting themes and evocative settings. This series opener should have been launched at Glasgow Waterstones in Spring 2020. Does anything about that ring a plague warning bell? Waterstones had put up their Covid shutters and didn’t reopen for months. The stylish hardback edition was destined for a library market but libraries closed too. When the paperback and follow-up hardback, The Art of the Assassin appeared in early Spring 2021 the bookshops and libraries were still shut and launches and festivals were online promise only. Some new books have found a voice via social media but I’m sure these are not the only new books which have gone under the general radar. Anyway – three cheers for another grand yarn of Edwardian wrong doing in Glasgow and Edinburgh. Juan Cameron the Scottish/Spanish detective-photographer hurtles round gracious riverside houses, stations, theatres and slums as he mixes with Viennese professors, Cuban exiles and women who on the whole are brighter than he is. Do track this slightly bumbling sleuth down. We all need good reads this rotten May as hailstones replace lockdown to keep us still indoors.

Sacré bleu! The last laugh lies with my fourth item. Comedian Ian Moore ‘as also created a new detecteev, wiz apologeez to ze French. Death and Croissants will be published on 1^st July and already comes recommended by Alan Carr, Josh Widdecombe, Sarah Millican, Adam Kay… If you can’t get to France this summer this may be the next best thing. It’s even been compared to Richard Osman’s Thursday Murder Club, although I’m too jealous to read him so I can’t comment. I wish Ian every success, and if you can’t wait there’s a free prequel available here, with a quiz thrown in. Amusez-vous bien!

It’s nice to be back, but for now au revoir.

©Jessica Norrie 2021

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