What authors don’t bargain for

Look after the pennies and the pounds will look after themselves. A fool and their money are soon parted. Money talks… one thing money says is, “I want my books cheaper”. This recent post in a respected online book group page isn’t untypical.

“Today’s ebook offer includes ‘Fludd’ by Hilary Mantel. I absolutely loved her Wolf Hall series, has anyone read Fludd, is it worth buying? I know it’s only 99p, but I have so many of these 99p books cluttering my Kindle I only want to download highly recommended ones.”

Where do I start?

Value for money

The Wolf Hall trilogy comprises approx 1,888 pages depending which editions you buy/borrow/steal. The Kindle UK prices currently add up to £17.97/$23.60, the paper editions approx £29/$38). The three audiobooks offer 77 hours and 41 minutes of listening, from a service costing approx £7.99 per month after the first month which is free. On that basis the entertaining and educational experience Hilary Mantel provides, that the reader above “absolutely loved”, cost them 0.0095p per page on Kindle,  £0.015p in book format, or less than the price of a cinema ticket as an audiobook for 74 hours more entertainment. If you want to convert those into fractions of US cents, be my guest.

 

Now this reader wonders about forking out 99p ($1.30) for another book by an author s/he knows s/he enjoys. Fludd, in paperback has only 186 pages. Well, it IS more expensive – around a halfpenny per page or .69 of  a US cent.

Clutter

Can you clutter a Kindle? This nerds’ paradise article suggests a basic entry level Kindle holds approx 1,100 books and a top of the range Kindle Fire HD a whopping 26,992. I suppose you could argue the books get lost if you download too many, but since this reader knows the title and the author, s/he should be able to retrieve it easily.

Other book related problems – shelf space, dust-gathering, fire risk, mildew, weight the floorboards can support etc – don’t apply to Kindles.

 

Quality

Before spending a paltry sum on something requiring no storage this reader wants “high recommendations”. God help any authors and publishers hoping a reader might take a punt on an unknown newcomer. I believe readers can get refunds if they don’t ultimately agree with the recommendations others make, even though reading is a completely subjective experience. I don’t know the procedure, it’s too unethical for me, but I’m told it’s possible.

Price

99p ($1.30) is considerably less than a coffee, less than one sock in the cheapest pair from Primark and what use would one sock be to most of us? You wouldn’t know whether the coffee tasted good or the sock was comfortable until you’d drunk it/worn it for a while, but most people risk that without requesting recommendations, clearing stomach or sock drawer space (yet socks are real clutter) or worrying they’re overspending.

Kindle 99p

 

The author’s position

Hilary Mantel doesn’t need this particular reader’s money. Her “net worth” as calculated by grubby celeb websites is between $100,000 and $1million (£761,000). The broadness of the estimate says all you need to know about the precision and fact checking of such websites. Let’s assume her assets are at the upper level, easily achieved in the UK not by selling books but by annual property inflation of approx 7% since a now 68 year woman probably signed her first mortgage application.

Besides the Thomas Cromwell trilogy, since 1985 Mantel has published 9 novels, 2 books of short stories, and a memoir. Without counting journalism and articles and assuming (ridiculously) she doesn’t own any property to contribute to her putative net worth, very crudely dividing £761,000 by 15 books we find each has contributed an average £50,733 ($66,622) across 35 years. My source for these statistics is so dubious I’m not even admitting what it was. But we could double (triple!) these earnings and a prize winning author, whose work is televised, studied and admired worldwide, would still not be earning in the super rich league. She may be the Roger Federer of her field, but she has far less need of a Swiss bank account. I bet Mantel’s accountant keeps a beady eye on those 99p sales.

What about others? The “i” newspaper says last year UK authors, writers and translators earned on average £31,153. This is odd because according to the Society of Authors, “median earnings for primary occupation authors (writers who spend more than half their working time writing) are £10,497 a year… the highest-earning 10% taking home about 70% of total earnings in the profession.” That £10,497 has to cover living expenses before any becomes “net worth”. 40% of us rely on a second source of earnings.

 

Earnings per year

Some good professional authors of adult fiction churn out a book a year. Most take longer. There’s research, redrafting, muses that run dry or scamper in the wrong directions, beta readers and agents to consult and editors to pay. I’m getting faster…. my first book took five years, the second three, the third (not yet published) two. Mantel completed her 1,888 page trilogy in ten. How long did that coffee take to pour? How many minutes to run up a sock on a machine? (Perhaps an unfair comparison. I prefer my working conditions to the knitting machinists’.)

Affordability

In the UK thousands live below the poverty line, after appalling economic policy over the past decades, especially right now. Readers who genuinely can’t afford 99p for a book, please know my comments don’t apply to you. I hope there’s still a functioning public library in your area, where you can freely access all the books you want.

Are books a licence to print money?

The market makes most fiction available at some point, in some form, for 99p. Subject to affordability, you’re free to buy or not. But never express your doubts whether the product is worth it to anyone – writers, readers, bloggers, reviewers or Auntie Ethel – unless you actually want some poor author to rant a blogpost from their garret, a post that should have been a constructive book review or some sensible writing advice. You can always support public libraries you know.

©Jessica Norrie 2020

 

What do you mean, in italics?

Well that’s annoying. I wanted to use italics in my title and WordPress won’t let me. Maybe if I upgrade to the paid version… meanwhile I’ll put quotes in this post, which I’d normally have italicised, in purple so the original italics still show up.

The word italics comes from Latin. The print style was named for the Venetian printer who used it first. The adoption of italic fonts has a fascinating history that leads the procrastinating blogger down many Googling byways. Do explore them one wet Sunday afternoon.

We use italics for emphasis. Just as some people wave their hands about more than others, so do some authors, often putting their italics into their characters’ mouths to avoid seeming too histrionic themselves. Jane Austen, brought up to discreet deportment and quiet speech, can be vicious with italics:

italics p & P 2 (2)
Pride and Prejudice, Penguin edition, Australia 2008

Nowadays writers are advised against adverbs. It would never do for Yazz, in Benardine Evaristo’s Girl, Woman, Other, to think something “sarcastically”, but Evaristo suggests sarcasm with italics: once she’s graduated and working, she’s going to sell her house, correction, their house, which is worth a small fortune thanks to Mum’s gentrification of Brixton  By the way that’s not my missing full stop – Evaristo uses punctuation sparingly. But she relishes italics, as when Yazz’s Mum forbears to mention The Boyfriend, glimpsed when he dropped her off in his car. So much suspicion, pride, worry, judgement conveyed by italics and a couple of capital letters. 

My italics for the title acknowledge someone else wrote Girl, Woman, Other (shame). Fortunately Evaristo isn’t referring to the film The Boyfriend or confusion might arise. At least I’m assuming she isn’t, I’ve only just started it. Could be a bookblogger trap…

Authors may choose italics to differentiate between a character’s inner thoughts or dreams and what they say aloud, and also to differentiate timelines or points of view, clarifying them for the reader. Unhelpfully, I can’t find examples on my shelves now. I hope one  turns  up before this blog post goes out. I do find whole pages and paragraphs of italics hard to read and wish authors with split timelines/narrators would find some other way round the problem. I definitely read one recently. Maybe I threw it out for that reason.

Italics may be used for a recurring phrase, reminding us of what’s at stake or a character’s obsession. Olive Kitteridge‘s visit to her son in New York is punctuated by the neighbour’s parrot repeating Praise the Lord. Italics differentiate a letter or document from the rest of the text, or economically summarise occasions when the same thing was repeated. These examples are from The Confessions of Frannie Langton, by Sara Collins, whose short prologue and epilogue are also italicised.

italics F langton 2
The Confessions of Frannie Langton, Penguin, 2019
italics Frannie langton
The Confessions of Frannie Langton, Penguin 2019

Agatha Christie’s Poirot, stereotypical histrionic foreigner, lives and breathes italics.

Italics Poirot
Harper Collins, 2013

You’ll notice Poirot’s italicised French, like the Latin in the previous example. Italics of “foreign” words could mean three things: i) you do know what this means, dear readers ii) work it out from the context or iii) here’s something to look up, dunce. Here’s an extraordinarily basic example from Wilde’s The Picture of Dorian Gray. Society feels…the highest respectability is of much less importance than the possession of a good chef.”

Indie authors decide from themselves how much to italicise “foreign” words, preferably with professional editorial advice, and publishers have varying house styles. The trend is towards italicising less. Some authors reasonably object to “othering”. When words their characters use in daily discourse are italicised, it has the effect of making them suddenly shout “Look at this exotic word!” mid-flow. This article argues, with entertaining, informative examples, why such an approach  simply won’t do in a world where all cultures and idioms deserve equal respect. I found it on Ask a Book Editor (Facebook) and reposted it on Writers for Diversity (Facebook too). On both sites it elicited a lively, helpful thread with much food for thought. 

A rule of thumb is to explain meaning either directly or through context, unless you know the words have been incorporated into the language you’re writing in (check a good dictionary if unsure). Here’s The Song of Achilles, elegantly whisking the reader over the obstacle, and another example from The Braid by Laetitia Colombani, itself translated from French, which I think could have omitted the explanation as the context is clear:

Italics Achilles
The Song of Achilles, Bloomsbury 2017

IMG_5878[7126]
The Braid, Picador 2020
In The Magic Carpet, about five families of different heritages, I didn’t italicise pakoras because I expect my readers are familiar with Indian (umbrella term) food. I did italicise and explain the musical instrument names the first time because the children they’re given to didn’t know them yet either. Afterwards those words are in Roman print, not to break the flow any more than necessary. I may reduce the italics more, since reading the article I refer to above.

Italics pakoras MC
The Magic Carpet, Amazon 2019
italics MC tili dagga
The Magic Carpet, Amazon 2019

I’ve learnt something from writing this blog that’s probably obvious but needed spelling out for me. Too many italics over-egg the pudding. Like flouncy curtains or thick make-up, CAPITALS or exclamation marks!!! Flicking through my books I found the writers I most admire use hardly any. I’m not saying the examples above are bad, the books they come from are wonderful in their different ways or I wouldn’t include them. But less is definitely more. I suspect my Novel 3 has rather a lot. Inside I’m thinking: is that why it hasn’t been snapped up by a publisher yet? 

©Jessica Norrie 2020

A good deal of author news!

It’s funny how the sense of myself as a “real” writer comes and goes. The smallest thing can puncture my self-belief. But this has been an excellent week and I can hold my head high. When I looked up my ALCS payments they were much improved following a dip last season; my agent said Novel 3 is ready to pitch to publishers; and the French translation of The Infinity Pool appears almost ready to publish after a hiatus in which the translator quite reasonably got on with earning her living. In more good news, after many nominations by my agent, The Magic Carpet ebook has been selected for a UK Kindle Monthly Deal. Please tell your friends that from today for a whole month they can fly my magic carpet for 99p. Especially tell the parents, grandparents, child care workers, city dwellers and teachers – it’s uncanny that I wrote about urban families struggling and interacting as they cope with a home/school project and now here so many of you are homeschooling!

Magic carpet ecover[880].jpg
99p for the ebook for a month!
In an aside for fellow writers, it was selection for this sort of deal that pushed The Infinity Pool up the charts back in 2015. I think Amazon also advertise them, whereas normally we indie authors are left to sink or swim, so I’m hoping for better visibility, more reviews and improved sales. Being in a deal may also mean it’s price matched globally – worldwide friends, it may be only 99¢ or a very small amount of whatever your local currency is. (Please let me know – if I look at non UK sites I don’t necessarily see the correct data.)

To anyone still wondering whether they’ll get good value for their 99p, another affirming thing to happen this week was a BRILLIANT new review from bookblogger Felicity Grace Terry at Pen and Paper. I’m quoting it at length, not to omit too much of her enthusiasm. But do visit her blog for a refreshing style and good recommendations and not least to pay homage to a bookblogger who’s been at it more than 10 years! And please do comment when you get there – I know so well how much bloggers appreciate comments.

{OOH! A story about the telling of stories. For us bibliophiles things don’t get much better than this, right?}

…I just don’t know where to begin sharing all of the aspects that made it such a joy to read .

…Hats off to the author for giving us such a memorable and authentic cast of characters. That she gave them all (both as individuals and family units) such a unique (and thankfully stereotype and cliche free) voice; that each relationship (indeed every event) was written with such depth, it wasn’t long before I came to invest in them (and) they became as friends and neighbours…

Insightful, heart warming and thought provoking…

Not just well researched but heartfelt; the author’s knowledge and love of teaching young children apparent. That the novel explores just how the issues adults seek to keep from children believing they are shielding them can have a profound effect is just one of the many, many things that, characters and plot in general aside, made The Magic Carpet such an engaging and, yes, important read for me.

SUMMED UP IN A SENTENCE … The utterly engrossing story of a society trying to assimilate different cultures, backgrounds and faiths peopled by characters you cannot help but invest in, The Magic Carpet is every bit a story of our times.

Enormous thanks to Felicity, and thank YOU for your attention. Please do spread the news and I’ll report back later whether there’s still gold in them there deals the way there was last time. Meanwhile stay safe, all of you. And that’s as near as I’ll go to mentioning l*ckd*wn.

MC Pb cover jpeg - Copy

©Jessica Norrie 2020

Striking the right note…

I’ve heard there’s this nasty bug going around… No, that’s too trivialising. EVERYONE’S GOING TO DIE! Alarmist, untrue. All things must pass: cliched but almost certainly correct. How are you all, blog followers (unless you’ve dropped out for which I wouldn’t blame you)? I haven’t posted for months, partly due to a second glaucoma operation (fitted in just in time) and partly now due to, well, this bug that’s going around. It’s high time I checked you’re all ok out there, and shared some positives from how I’m passing the locked down time.

This is normally a books and writing blog. books for blog 2Reading does help, it’s true. I’ve finished the latest Philip Pullman – very entertaining, very dark, perhaps a few too many meetings of the Magisterium to hold my interest and I’m not sure he’s quite as secure writing the young woman Lyra as he was writing the child – but as always brilliantly inventive, perceptive, unpatronising, chilling. I needed a complete change after that, so am in the middle of Caroline Criado Perez’s Invisible Women. Just as chilling, in its way. Women are 47% more likely to die in car accidents, because safety trials use male dummies as default. Female pianists are 87% more likely to suffer from RSI due to the size of a standard keyboard. A male investor, faced with a business plan for an  innovative breast pump that outclassed the commonly used standard US models, recoiled in disgust. It’s wittily written, informative, and just as you’re despairing, it has messages of hope. Books for blog 2.4 (2)Then when I’m ready to return to fiction, my pile is not for the faint-hearted. Just as well we’re in lockdown.

I finished the 3rd edit of Novel 3 and sent it back to Agent X. Agent X expressed irritation the other day because authors were clamouring along the lines of “you must have loads of time for reading now”. So I won’t nag Agent X, but y’know, if I don’t have a publishing deal by midsummer, I’ll…I’ll…well, I’m not sure what I’ll do.

Still with an eye to words and writing, I signed up for the Curtis Brown Creative Weekly Writing Workout, if only because I have absolutely no idea how to follow Novel 3 and some of their ideas may help. I’m playing online Scrabble with old friends and relations – this site is marvellous because you can swap tiles, use outlandish dictionaries no one else has ever heard of, search for bingos and definitions…It’s more about placement and less about your own skill than the traditional board game, and there are no adverts to distract you, with unlimited games, languages and combinations all for $15 a year.

walk for blog (2)Every day we go for a walk. Sometimes in countryside within walking distance, sometimes through streets. We seem to be noticing more, and valuing it. Here is a garden in the next road, complete with sculptures and cowslips. On our walks I surreptitiously break off cuttings of overhanging plants, as I was all set to order for empty spaces in our garden when what one choirmaster calls “The Great Adjournment” began.

The ex infant teacher in me is lapping up the online ideas posted to help (or pressurise) parents trying to homeschool their children. As soon as we finish the next plastic milk carton, I’m going to make an Elmer. I don’t happen to have a stock of coloured tissue paper, but there’s wrapping paper, old magazines to cut up, my partner’s clothes…I may unearth my neglected mosaics kit, perhaps when I’ve exhausted the puzzle I bought in Kyoto art gallery (those were the days). Simple pleasures: a jigsaw, a good cup of coffee, and Jenni Murray’s rich, reassuring voice on BBC Woman’s Hour.

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Credit for the Elmer design goes to Amy Trow from https://www.facebook.com/groups/houseboundwithkids/

The days start with my home made version of yoga and stretches and then I practise my piano, fortuitously delivered just before lockdown. That means it hasn’t had its inaugural tune, but the friend with whom I swap 5 minute recordings of what we’ve managed today hasn’t complained so far. I’m not posting a recording here as I do have some pride, but the regular, extra time will surely result in a better technique and wider repertoire by the time lockdown ends – won’t it?

I’m very sad there’ll be no Wimbledon and no Dartington this year. I’m apprehensive about catching the virus. I’m concerned for people who were vulnerable before any of this even started – refugees, domestic violence victims, the mentally ill and the disabled. I’d be lying if I said I wouldn’t like to see my children, friends and Hackney Singers in real life rather than on Zoom, but otherwise the piano (2)simple life is rather appealing to me. I’m hoping we’ll all reset our values and habits as a result of this episode. Perhaps we’ll value home cooking more, and fashion that lasts, the company of our partners and our own company. Perhaps wildlife will thrive with less polluting traffic, and have you seen how clear the sky is without aircraft? Maybe our government will at last resource our NHS as it deserves and recognise how much low paid and low prestige workers contribute to society. In the West, at least, some of us had become decadent and spoilt. Perhaps as a species we’ll learn some timely lessons.

I don’t underestimate the difficulties, and I do sincerely hope you all come through unscathed. Take care, wash your hands, stay at home, count your blessings, and if you are a key worker of any kind, I particularly thank you and wish you well.

jigsaw (2)

©Jessica Norrie 2020

 

Towards the end of the year…

A rounding up, summing up, divvying up write up of the year beckons. I haven’t blogged blogger-recognition-2019as often this year for health and other reasons but was touched despite lagging behind to receive a Blogger Recognition Award today. Actually it’s my second such award… not bad for someone who is poor at networking and not really a team player. More of that below.

Things have certainly happened. The Magic Carpet was published in July and has some wonderful reviews from a pretty exclusive readership. Last night I was invited to answer questions about it by a book club. As I travelled there, I thought I should have prepared a flipchart…a powerpoint…handouts. My mind became strangely blank as to what was in the book, why and how I’d written it, whether I even had any right to claim it as mine. I’ve never been in a book club, my excuse being that I studied literature at university so I’ve been there and done that (arrogant and hardly recent). I also prefer to read what I choose when I want, and as said I’m Christmas 4not a team player. But now that I know a bookclub can involve Crémant de Bourgogne, a “snack” supper of three courses, hand-made home-made chocolates and a kind of gently probing supportive questioning that didn’t last more than twenty minutes, maybe I’ll change my mind. I may have been the guest author but I did feel the junior partner – these women were all much more careful readers (and cooks) than I am!

In November I finished the 3rd edit of Novel Three and sent it to Agent X who has it on his pile for comments. I already have acknowledgments to make, to several friends for discussions and particularly to my writing group, Z, M and C. These mysterious ladies are writing novels set variously in Afghanistan, London, Paris and South America, and we’ve had a good year exploring each others’ ideas in a surprisingly cheap central London cocktail bar M knew. In future it will be known as the Algonquin of the 21st century. London literary walks will skip nearby Bloomsbury and head straight for the blue plaque we fully intend to have there. Until then we’re keeping it secret. Who will get published first? Watch this space.

In August I had my eye operation which went well and I’ll have the other eye done in February. I’ve been pleased that changed eyesight has not meant too much change to my writing routines. I must spend less time on screens and online but that’s a good thing anyway. For the time being all I need do is enlarge the page to type and read. I have no ideas yet for Novel Four, and I hope I think of something because I enjoy writing  so much.  But this year must be the year of a traditional publisher – I’m uncomfortable asking people to buy from Amazon and indeed some of them won’t. Hopefully I’ve improved my craft enough for poor Agent X to get lucky third time round.

Now to that Blogger Recognition Award. I was very touched to be nominated by Sally Cronin at Smorgasbord and her gesture in turn means I can thank some of the bloggers who’ve supported me and who I’ve enjoyed reading this year. We move in overlapping circles so some names have I’m sure received several awards already. No harm piling the awards up though, and congratulations if you’re new to all this!

As Sally says, participation is optional. Many of you will be too busy to act on this at all,or you may want to put it aside for now and come back to it in the spring. That’s entirely up to you. I tried making a badge but I’m crap so please use Sally’s or one of these.

There are a few guidelines attached to the award if you do participate.

My thanks of course to Sally at Smorgasbord for nominating me.

Rules:

1. Thank the blogger(s) who nominated you and provide a link to their blog.
2. Write a post to show your award.
3. Give a brief story of how your blog started.
4. Give two pieces of advice to new bloggers.
5. Select up to fifteen bloggers you want to give this award to.
6. Comment (or pingback) on each blog to let them know that you’ve nominated them and provide a link to the post you’ve created.

How My Blog Started:

In 2015 I was advised to blog after I published The Infinity Pool. It was supposed to get me more sales. Slowly, it did, and I found I enjoyed blogging more than I’d expected. I’ve made some good friends in the blogosphere, and am always humbled and touched by the welcome I get when I return to the scene after a few weeks or months away..

Two Pieces of Advice to New (or any) Bloggers:

  1. This plea comes from a reader with poor vision but would help everyone. Please make sure your font is large enough and the colour scheme helps rather than hinders the readability. You should break up long paragraphs, and the whole site should be easy to navigate.
  2. You’ll write a good post if you’re in the mood for blogging. It shouldn’t become a chore. If you can’t be bloggered, don’t.

Select up to 15 Bloggers:  Some who are incredibly supportive I really should include, but when I looked I’d included them last time so I hope they’ll excuse me. You know who you are (D G Kaye, for instance!)

Colleen Chesebro – Word Craft – Prose and Poetry Colleen is hugely encouraging to any creative writers and poets out there. She and all the following are team players – I may not be one but I can certainly appreciate them.

Robbie Cheadle: Roberta Writes Robbie’s frequent comments always encourage me to think at least someone’s read my posts carefully!

Mary Smith: Mary Smith’s Place I couldn’t believe I hadn’t nominated Mary last time around. Not many people have the qualifications, experience and writing ability to guide you from Afghanistan to Dumfries and Galloway!

Liz Gauffreau: Elizabeth Gauffreau is a writer from Adelaide, generous with her thoughtful, appreciative comments.

Shelley Wilson at I write. I read. I review. Shelley is a writing mentor, author, networker and I can only assume a bundle of energy as she’s very productive!

Lel Budge at The Bookwormery  kicked off my recent blog tour with gentle efficiency and blogs about health as well as books.

Marcia Meara at The Write Stuff. Her sub heading is “Writers helping Writers” and she does exactly what it says on the tin.

Mairead at Swirl and Thread is an Irish blogger and NetGalley reviewer but I’ve mainly come across her on Facebook. I’m always struck by her common sense, gentle enthusiasm and discerning taste.

Rekha at The Book Decoder is a breath of fresh air! If I had to explain the meaning of the word enthusiasm to a Martian, I’d guide them to Rekha’s site.

Anonymous (the cat herder?) at Herding Cats hides her light under a bushel but quietly gets on with reviewing, appreciating, communicating her love of books.Cheistmas 3

Katy Johnson is an author and generous interviewer and sharer at Katy’s Writing Coffee Shop. She hasn’t posted in the last couple of months, so must be busy with her many many projects.

Julie at A Little Book Problem gave The Magic Carpet the best review I’ve ever had so I’m encouraging people to throw awards at her until she has a little award problem too.

Camilla Downs is another generous team player from the US. At Meet the Authors she’s always happy to help other authors and produces interesting work herself.

Last but definitely not least, Kriti Khare at Armed with a Book  networks, shares, disseminates, teaches. She’s always worth a visit.

And a very Merry Christmas and Happy New Year to you all!

© Jessica Norrie 2019