Paperback writer

I just received the paperback specifications for The Magic Carpet. Four hundred and twenty pages?! I only wrote 87,000 words. My last book was 82,000 words and came out at 306 pages. So how has this happened?

The Magic Carpet is written in shortish sections. Five characters have a narrating voice. Some days all the narrators pitch in, others only one of them. Even written out like that it sounds confusing for the reader, so to make things as clear as possible I started a new chapter for each autumn day as the story unrolls. Within the chapters, I headed each section with the name of the character who’s narrating. The format I have to use starts each chapter on the right hand page (recto) with the left hand page (verso) blank. Each change of narrator gets a new page too. The added space differentiates each voice and I like it a lot.

Therefore don’t worry, dear reader. You will not be taking on War and Peace. The narrative doesn’t last years. It won’t take years to read either, and although there are five voices they are contemporary and informal – I make these comments with no disrespect to Tolstoy, by the way. The proof has now arrived and I see the font is a clear easy to read size, an inadvertent but happy choice, which must account for the number of pages. anyway, I calculate at least 30 of them are blank, 20 more have only a heading, and at least 40 will not be complete pages. That leaves 330 pages of conversational, familiar language, which sounds much more manageable.

MC Pb cover jpeg

Is 420 pages a problem in any other way? Well, it will increase the paperback delivery cost, except to Prime subscribers. On a Kindle, obviously, it makes no difference at all and the layout is certainly clearer than for my previous book. It wasn’t a problem in terms of adapting the cover – that outlay on a professional designer was money well spent as tweaking the spine was the work of an instant for her (and no, she doesn’t moonlight as an osteopath).

It will also increase the production cost. It’s up to me to choose a price, but Amazon set parameters. In this case the minimum for the paperback would be £8.17 and the maximum I can charge is apparently £250! I toyed with that – at least I’d discover any eccentric philanthropists out there willing to splash out ludicrous sums on a very minor author. But I’ve settled on £9.99 as that gives me slightly more profit on each copy sold and I’d like to at least cover my costs. £8.99 is more standard, but my royalty would be only 41p. Dear reader, I hope you understand? If sales figures prove you don’t we can always reduce it. Do comment below if you feel strongly.

(Like many people, I prefer reading physical books to reading on a Kindle, and as a writer I love being asked to sign a copy. But if you want to support an author, it’s worth remembering that for books independently published on Amazon, the ebook royalty can be up to 70%. My ebook is a standard £2.99. Go figure.)

Cream or white paper? Oh cream, no hesitation. Matt or shiny? I’ve always preferred matt. This format or that format? Choices have been made, boxes ticked. Now I’m only too pleased to hold the hefty tome in my hand.

But 420 pages. Blimey.

paperbacks 3

©Jessica Norrie 2019

 

The Magic Carpet – standby for landing!

Once upon a time, starting in 2016, an author wrote a story about children and adults in London telling each other traditional tales, and how the tales came to their aid when their lives took unexpected, not always welcome twists and turns. The author hoped to publish her novel in 2018.

Hey ho. London’s a complex city. Any transport a reader jumps on in such a place is bound to be delayed, make unscheduled stops at diversions and events, carry eccentric and delightful and difficult and conflicted characters before arriving safely at its destination. Since I started writing The Magic Carpet, world statesmen have visited (some more worthy of the name than others); royal weddings have pomped and circumstanced down the aisles of chapels and castles; Prime Ministers have come and gone, and all that time I’ve been concentrating on a specific few weeks in a cul-de-sac somewhere around the wiggly bit of the eastern Central line. I’d got my structure, but was otherwise still drafting when Guy Gunaratne  impressively stole my thunder by bringing out an edgier, inner city five narrator novel set in London. I reviewed it here. His characters are teenagers and older; mine were only seven when I invented them. They must be preparing for secondary school now. After making them negotiate domestic minefields in the book, I hope they’ve had a more peaceful time since.

Now hold on to your hats! The Magic Carpet will finally be landing on 22nd July in ebook format, and shortly after that in paperback. You can preorder the ebook here, ready for the start of the school year when the narrative begins. Meanwhile, let me show you the cover, designed by Jennie Rawlings at Serifim. I’m so happy with this. I love the bright colours, their impact like the gorgeous fabrics worn by the mums clustered at any London school gate at home time. Jennie’s drawn a ribbon flow of narrative binding together the characters. There are hints of Chinese characters and Islamic art to indicate some of their different heritages. She’s made the children at the centre of the book hold hands at the fringes of the carpet, which is great because in my story it’s the children who show the adults how to join together, and on the spine of the paperback (which I can’t show quite yet) she’s put a little rabbit for reasons you’ll have to read to find out. She’s chosen a strapline quote that sums up the power of telling magic stories for any community.

Magic carpet ecover This is the ebook cover. On the paperback, being finessed as I write this, there’s also a blurb and some ego boosting words of praise. I need those at present – no matter how many drafts and how much time is spent, I’m sending my characters out into the world with all the trepidation of a parent sending a child off to school. I hope they’ll be ok – no, I know they will be! At the the very least I do hope I’ve whetted your reading appetites!

©Jessica Norrie 2019