What authors don’t bargain for

Look after the pennies and the pounds will look after themselves. A fool and their money are soon parted. Money talks… one thing money says is, “I want my books cheaper”. This recent post in a respected online book group page isn’t untypical.

“Today’s ebook offer includes ‘Fludd’ by Hilary Mantel. I absolutely loved her Wolf Hall series, has anyone read Fludd, is it worth buying? I know it’s only 99p, but I have so many of these 99p books cluttering my Kindle I only want to download highly recommended ones.”

Where do I start?

Value for money

The Wolf Hall trilogy comprises approx 1,888 pages depending which editions you buy/borrow/steal. The Kindle UK prices currently add up to £17.97/$23.60, the paper editions approx £29/$38). The three audiobooks offer 77 hours and 41 minutes of listening, from a service costing approx £7.99 per month after the first month which is free. On that basis the entertaining and educational experience Hilary Mantel provides, that the reader above “absolutely loved”, cost them 0.0095p per page on Kindle,  £0.015p in book format, or less than the price of a cinema ticket as an audiobook for 74 hours more entertainment. If you want to convert those into fractions of US cents, be my guest.

 

Now this reader wonders about forking out 99p ($1.30) for another book by an author s/he knows s/he enjoys. Fludd, in paperback has only 186 pages. Well, it IS more expensive – around a halfpenny per page or .69 of  a US cent.

Clutter

Can you clutter a Kindle? This nerds’ paradise article suggests a basic entry level Kindle holds approx 1,100 books and a top of the range Kindle Fire HD a whopping 26,992. I suppose you could argue the books get lost if you download too many, but since this reader knows the title and the author, s/he should be able to retrieve it easily.

Other book related problems – shelf space, dust-gathering, fire risk, mildew, weight the floorboards can support etc – don’t apply to Kindles.

 

Quality

Before spending a paltry sum on something requiring no storage this reader wants “high recommendations”. God help any authors and publishers hoping a reader might take a punt on an unknown newcomer. I believe readers can get refunds if they don’t ultimately agree with the recommendations others make, even though reading is a completely subjective experience. I don’t know the procedure, it’s too unethical for me, but I’m told it’s possible.

Price

99p ($1.30) is considerably less than a coffee, less than one sock in the cheapest pair from Primark and what use would one sock be to most of us? You wouldn’t know whether the coffee tasted good or the sock was comfortable until you’d drunk it/worn it for a while, but most people risk that without requesting recommendations, clearing stomach or sock drawer space (yet socks are real clutter) or worrying they’re overspending.

Kindle 99p

 

The author’s position

Hilary Mantel doesn’t need this particular reader’s money. Her “net worth” as calculated by grubby celeb websites is between $100,000 and $1million (£761,000). The broadness of the estimate says all you need to know about the precision and fact checking of such websites. Let’s assume her assets are at the upper level, easily achieved in the UK not by selling books but by annual property inflation of approx 7% since a now 68 year woman probably signed her first mortgage application.

Besides the Thomas Cromwell trilogy, since 1985 Mantel has published 9 novels, 2 books of short stories, and a memoir. Without counting journalism and articles and assuming (ridiculously) she doesn’t own any property to contribute to her putative net worth, very crudely dividing £761,000 by 15 books we find each has contributed an average £50,733 ($66,622) across 35 years. My source for these statistics is so dubious I’m not even admitting what it was. But we could double (triple!) these earnings and a prize winning author, whose work is televised, studied and admired worldwide, would still not be earning in the super rich league. She may be the Roger Federer of her field, but she has far less need of a Swiss bank account. I bet Mantel’s accountant keeps a beady eye on those 99p sales.

What about others? The “i” newspaper says last year UK authors, writers and translators earned on average £31,153. This is odd because according to the Society of Authors, “median earnings for primary occupation authors (writers who spend more than half their working time writing) are £10,497 a year… the highest-earning 10% taking home about 70% of total earnings in the profession.” That £10,497 has to cover living expenses before any becomes “net worth”. 40% of us rely on a second source of earnings.

 

Earnings per year

Some good professional authors of adult fiction churn out a book a year. Most take longer. There’s research, redrafting, muses that run dry or scamper in the wrong directions, beta readers and agents to consult and editors to pay. I’m getting faster…. my first book took five years, the second three, the third (not yet published) two. Mantel completed her 1,888 page trilogy in ten. How long did that coffee take to pour? How many minutes to run up a sock on a machine? (Perhaps an unfair comparison. I prefer my working conditions to the knitting machinists’.)

Affordability

In the UK thousands live below the poverty line, after appalling economic policy over the past decades, especially right now. Readers who genuinely can’t afford 99p for a book, please know my comments don’t apply to you. I hope there’s still a functioning public library in your area, where you can freely access all the books you want.

Are books a licence to print money?

The market makes most fiction available at some point, in some form, for 99p. Subject to affordability, you’re free to buy or not. But never express your doubts whether the product is worth it to anyone – writers, readers, bloggers, reviewers or Auntie Ethel – unless you actually want some poor author to rant a blogpost from their garret, a post that should have been a constructive book review or some sensible writing advice. You can always support public libraries you know.

©Jessica Norrie 2020

 

What do you mean, in italics?

Well that’s annoying. I wanted to use italics in my title and WordPress won’t let me. Maybe if I upgrade to the paid version… meanwhile I’ll put quotes in this post, which I’d normally have italicised, in purple so the original italics still show up.

The word italics comes from Latin. The print style was named for the Venetian printer who used it first. The adoption of italic fonts has a fascinating history that leads the procrastinating blogger down many Googling byways. Do explore them one wet Sunday afternoon.

We use italics for emphasis. Just as some people wave their hands about more than others, so do some authors, often putting their italics into their characters’ mouths to avoid seeming too histrionic themselves. Jane Austen, brought up to discreet deportment and quiet speech, can be vicious with italics:

italics p & P 2 (2)
Pride and Prejudice, Penguin edition, Australia 2008

Nowadays writers are advised against adverbs. It would never do for Yazz, in Benardine Evaristo’s Girl, Woman, Other, to think something “sarcastically”, but Evaristo suggests sarcasm with italics: once she’s graduated and working, she’s going to sell her house, correction, their house, which is worth a small fortune thanks to Mum’s gentrification of Brixton  By the way that’s not my missing full stop – Evaristo uses punctuation sparingly. But she relishes italics, as when Yazz’s Mum forbears to mention The Boyfriend, glimpsed when he dropped her off in his car. So much suspicion, pride, worry, judgement conveyed by italics and a couple of capital letters. 

My italics for the title acknowledge someone else wrote Girl, Woman, Other (shame). Fortunately Evaristo isn’t referring to the film The Boyfriend or confusion might arise. At least I’m assuming she isn’t, I’ve only just started it. Could be a bookblogger trap…

Authors may choose italics to differentiate between a character’s inner thoughts or dreams and what they say aloud, and also to differentiate timelines or points of view, clarifying them for the reader. Unhelpfully, I can’t find examples on my shelves now. I hope one  turns  up before this blog post goes out. I do find whole pages and paragraphs of italics hard to read and wish authors with split timelines/narrators would find some other way round the problem. I definitely read one recently. Maybe I threw it out for that reason.

Italics may be used for a recurring phrase, reminding us of what’s at stake or a character’s obsession. Olive Kitteridge‘s visit to her son in New York is punctuated by the neighbour’s parrot repeating Praise the Lord. Italics differentiate a letter or document from the rest of the text, or economically summarise occasions when the same thing was repeated. These examples are from The Confessions of Frannie Langton, by Sara Collins, whose short prologue and epilogue are also italicised.

italics F langton 2
The Confessions of Frannie Langton, Penguin, 2019
italics Frannie langton
The Confessions of Frannie Langton, Penguin 2019

Agatha Christie’s Poirot, stereotypical histrionic foreigner, lives and breathes italics.

Italics Poirot
Harper Collins, 2013

You’ll notice Poirot’s italicised French, like the Latin in the previous example. Italics of “foreign” words could mean three things: i) you do know what this means, dear readers ii) work it out from the context or iii) here’s something to look up, dunce. Here’s an extraordinarily basic example from Wilde’s The Picture of Dorian Gray. Society feels…the highest respectability is of much less importance than the possession of a good chef.”

Indie authors decide from themselves how much to italicise “foreign” words, preferably with professional editorial advice, and publishers have varying house styles. The trend is towards italicising less. Some authors reasonably object to “othering”. When words their characters use in daily discourse are italicised, it has the effect of making them suddenly shout “Look at this exotic word!” mid-flow. This article argues, with entertaining, informative examples, why such an approach  simply won’t do in a world where all cultures and idioms deserve equal respect. I found it on Ask a Book Editor (Facebook) and reposted it on Writers for Diversity (Facebook too). On both sites it elicited a lively, helpful thread with much food for thought. 

A rule of thumb is to explain meaning either directly or through context, unless you know the words have been incorporated into the language you’re writing in (check a good dictionary if unsure). Here’s The Song of Achilles, elegantly whisking the reader over the obstacle, and another example from The Braid by Laetitia Colombani, itself translated from French, which I think could have omitted the explanation as the context is clear:

Italics Achilles
The Song of Achilles, Bloomsbury 2017

IMG_5878[7126]
The Braid, Picador 2020
In The Magic Carpet, about five families of different heritages, I didn’t italicise pakoras because I expect my readers are familiar with Indian (umbrella term) food. I did italicise and explain the musical instrument names the first time because the children they’re given to didn’t know them yet either. Afterwards those words are in Roman print, not to break the flow any more than necessary. I may reduce the italics more, since reading the article I refer to above.

Italics pakoras MC
The Magic Carpet, Amazon 2019
italics MC tili dagga
The Magic Carpet, Amazon 2019

I’ve learnt something from writing this blog that’s probably obvious but needed spelling out for me. Too many italics over-egg the pudding. Like flouncy curtains or thick make-up, CAPITALS or exclamation marks!!! Flicking through my books I found the writers I most admire use hardly any. I’m not saying the examples above are bad, the books they come from are wonderful in their different ways or I wouldn’t include them. But less is definitely more. I suspect my Novel 3 has rather a lot. Inside I’m thinking: is that why it hasn’t been snapped up by a publisher yet? 

©Jessica Norrie 2020

Games for readers and writers: when main characters play hide and seek.

How hard can it be to find the main character (MC) in a novel? No prizes for David Copperfield, Jane Eyre, Mrs Dalloway. Playwrights may play tricks: Julius Caesar dies in Act 1,  we’re left Waiting for Godot who may not even exist, and Rosencrantz and Guildenstern are dead. But novels are easy.

Or are they? Even the classics can fool us. Are the four Little Women equally important? As an avid bookworm and would-be writer I should have identified with Jo, but the recent very good film confirmed what I’d suspected since childhood. Amy leads the pack.

Some successful modern novels deliberately make it hard to identify the MC. The reader can be tricked even when the name’s in the title. Madeline Miller’s beautiful  The Song of Achilles (2011) is, you would think, the story of Achilles. But it’s told by his 11250317life companion Patroclus. From inside Patroclus’ head, we experience his compelling conflicts and joys, although Achilles’ story is the more glorious and dramatic. So which is the main character? (Digression: Miller makes them so lifelike she dispels the myth that classical history is for Eton posh boys. Do try this unputdownable yarn featuring palaces, caves, love, death, war, the sea, women both unfortunate and powerful, interference from the gods and some daring plot changes.)

43890641._sy475_Hamnet (Maggie O’Farrell, 2019) was Shakespeare’s son, one of three children. The novel begins from Hamnet’s point of view but for a unarguable reason it doesn’t continue that way. From about a third in it’s more about his relations and his part in their lives. Hamnet’s mother’s point of view takes up the most space, among others. So is she the main character? Or is the MC still the eponymous hero, or even William Shakespeare because without him we wouldn’t know this family existed or have so much detail of their daily lives?

10376392._sx318_sy475_Monica Ali’s Untold Story (2007) poses a similar question. As it opens, three friends are at a birthday tea in Middle America. The narrative presents them as all apparently of equal status. The fourth guest, Lydia, doesn’t turn up. When we do meet her later, it turns out she’s crucial. But she’s not the childless suburban divorcee they think they’ve made friends with. She was born a UK aristocrat who had an unhappy marriage with the heir to the throne. Later, she escaped paparazzi hounding to live under the radar in this backwater. Princess Diana is never mentioned by name, but she looms on every page, through references to recognisable incidents, characters and dresses from “Lydia’s” former life. The reader doesn’t need telling who the character is based on; there would be no Untold Story without Diana. So who is the main character (and who’s that on this cover?) Remember, outside fiction “MC” stands for Master of Ceremonies.

39346652._sy475_These three authors play highly skilled hide and seek with their MCs within the accessible literary fiction genre. Going downmarket (absolutely no disrespect) M W Craven’s 2018 detective novel The Puppet Show (2018) is an MC master class. Disillusioned detective Washington Poe appears on every page and we travel with him. We know only what Poe knows, experience all incidents alongside him. We see the world through Poe’s jaundiced eyes, share his bafflement on bad days and recover with him later. The conclusions we reach are Poe’s conclusions. So whether we like him or not, we empathize with him because he’s the most interesting and immediate character. Which is great news for Craven, since The Puppet Show is the first of a Washington Poe series. His map is the one to follow if those of us toiling on writing’s lower slopes are to avoid losing our MC at base camp.

The idea for this post came from reading a friend’s ms. She tells me the main character is Anna, her narrator who’s preoccupied by a younger man, Zoltán. From inside Anna’s head, we learn about Zoltán mainly through what he tells her – and he’s reticent by nature. Even so, the reader has a much more vivid impression of Zoltán, because Anna’s character/events arc is vague while Zoltán’s story is dramatic and emotional. Anna is hiding within an otherwise clearly written story, and that simply ain’t right for a main character. (These aren’t their “real” names. I’m happy to do ms critiques but I’d never blog about recognisable details before they’re published.)

One confusion can cause so many others we have to abandon the game. Let’s not mince words: hiding the MC can also mean losing the plot (reader’s nightmare) or muddying the genre (writer’s, agent’s, publisher’s, marketing nightmare).

MC on windowsill (3)

Anyway do as I say, not as I did. Writing with the blissful freedom of not having studied the rules, I thought my Infinity Pool was clear enough, but one review complained the MC vanishes and reappears. Then I couldn’t decide between The Magic Carpet‘s narrators so hung on to five of them (with clearly separated chapters for each voice.) My third novel, currently blocking publisher’s inboxes, does have one clear leading voice, but there was an early struggle between three characters and for months the least suitable muscled to the fore.

I’ve made a vow: Novel 4 will learn from Washington Poe. My MC will announce her/him/their self on page 1 and not leave your sight until The End. The next task is to make them interesting enough for you to stay that long. But that’s another story.

©Jessica Norrie 2020

Declutter your writing – advice from a hoarder

Are you one of the many people who’ve profited from lockdown to write? Have you written so many words you’ve reached “The End”? Congratulations! Now there’s another task. Words are like belongings. One minute you’re setting up home with only a mattress on the floor; the next, it’s time for a clear-out!

This article from Writers & Artists gives a rough idea of word counts for publishable fiction in most genres. A rule of thumb is not to exceed 100,000 words (fantasy can go longer). One fellow student on a creative writing course told me his 250,000 word novel offered better value for money. But value lies in entertainment, moving and absorbing the reader, not in padding and clutter. Authors design with words: their product must be fit for purpose, attractive and practical. William Morris said: “Have nothing in your house that you do not know to be useful, or believe to be beautiful” and 120 years later Marie Kondo agrees. Achieving the right 100,000 (or fewer) words is an opportunity for quality control.

We’ve all gazed at a cluttered room in despair, wishing for an elegant purposeful space where people linger. An overwritten book isn’t so different. But where do we begin, and can we make the task enjoyable?

edit your ms 1

You’d assess your furniture before a house move. It’s a good time to offload those uncomfortable armchairs, the toppling standard lamps and occasional tables everyone bumps into. You can take a similar overview of your plot. The minor characters and incidents you wrote way back, the time they break the hoover or have tea with his second cousin…is that still interesting or relevant? Envisage emptying a boot load of junk at the tip. My student friend’s story perked up no end when he threw 150,000 words in the skip.

(Some writers keep a folder for discarded episodes, on the grounds you never know when they might come in useful. Morris would allow this as he approved of re-purposing, but don’t tell Kondo.)

edit your ms 4

When you’ve sorted out the big items, consider what’s left, paragraph by paragraph. Look for:
repetition eg: you’ve already said that was Madame’s favourite chair
contradictions eg: the vegetarians who eat a turkey dinner at Christmas.
overcrowding eg characters and incidents whose existence makes no difference to the plot. The great aunt we never meet again after Chapter 2, the Irish jaunt you wrote because you happened to be in Dublin.

Sentences must earn their place. Either:
edit your ms 8 (2) • by enhancing the mood: the crimson sun pulsed on the horizon.
• by leading the plot forward: “The chemist’s had an accident!” the florist shrieked.
• or by doing both (but watch out for getting too elaborate): Crimson sun rays glittered on the water trickling from the upturned peony bucket towards the chemist’s inert body.

You can have a good laugh while learning a serious lesson from the BBC radio show Just a Minute. These examples show easy it is to commit their three key faults.
edit your ms 7 (2)Hesitation: “Pedalling through sauerkraut” is a great image, one of my favourite French idioms. But would you know it means getting nowhere fast without another sentence to  tell you? Metaphorical language can delay and confuse; direct description is quicker.
Repetition (again): I had no idea how often my characters had no idea until an editor pointed it out. Identify and ration your own go-to phrases.
Deviation: Afterthoughts and side issues (beating about the bush when you should be tidying up). Often they’re in brackets. Chuck the brackets and what’s in them, or if it’s useful flaunt it in the main text.

Certain pesky single words linger like bric-à-brac through every clear out. Be ruthless!
• Use the “Find” feature to locate quite, really, very, too, also, somewhat, rather, just, hardly, almost, certainly, definitely, nearly. They’re boring.
• Stylish authors show time passing with a change in the light, clothing or weather; leave first, then, next and finally to primary pupils’ exercise books.
• Everyone overuses suddenly, albeit, however, although, anyway, but. Gradually cut them out. Then cut out gradually.
• Adverbs are often redundant. She shouted loudly. Shouting IS loud – we don’t need telling.
The mosquitoes feasted (active). She was bitten by mosquitoes (passive). I rest my case. My case is rested.
• The article (that) I’m reading is full of bullshit. You know (that) that’s unfair. Track that down and chase the unnecessary ones from your manuscript.

Finding both the will and the skill for a clear out can be hard. For some authors it works better to follow this process in reverse, warming up by hunting down single words and hoping they’ll shed some plot and a few characters along the way. The risk is rewriting page 1 a zillion times and small-scale daily fiddling with material that’s later thrown out; the advantage is minute, forensic knowledge of every page.

Whichever your approach, the time will come when you can stand in the doorway and feast your eyes. Is the main character identifiable? Does the plot progress without hitches? Do the settings support everything else? Then you’re ready to invite beta readers and agents to stay! Readers will feel like honoured guests in your refurbished room. I’ve worked the analogy to death, so with one last snip I too am at

“The End”.

©Jessica Norrie 2020

“New normal” fiction

When a plot includes a pregnancy going to term or religious festivals that move around the lunar calendar it’s important to be precise with the timescale. I fine tuned my first two novels as I went along. Novel 3, currently under submission, is a response to a specific event, and ends at a point when the issues first raised begin to be resolved. All three books are “contemporary”, taking place not long before the projected year of publication.

Now, writing in New Normal times, the dates of the story are even more crucial. If the events I’m beginning to explore for Novel 4 take place before December 2019 the pandemic needn’t figure. Any story set later than that must now include the effects of Covid-19 on timing and location, wherever they belong on a scale from wispy background rumours to overwhelming. Otherwise it would be like setting a book in 1916 and not mentioning World War 1. So many political, physical and local variables govern the viral load infecting my story that I must factor them in from the start, or my timeline may be wrong, my characters unlikely and my events impossible for their setting and situations. I’ll sound as confused as our Prime Minister.

Although my chosen theme could work either side of the pandemic, so many of the story props around it will change that I can’t put off the decision. And, unlike for a book set during the Spanish flu epidemic, or during the worst of HIV infection, the number of victims is still unknown and the consequences and effects of lockdown haven’t been objectively measured. If I start my contemporary novel NOW, by the time it’s published my assumptions for how it progresses and ends could seem ridiculous.

In my case I’ll probably cop out and either not write at all or set the story well before bells ring in the new year 2020. (The many writers of Brexit novels couldn’t see they had the same problem, although the agents and publishers who rejected them did. Nor did they realise readers might be bored or repulsed by the subject matter, or, if interested, would by the time of publication know more about it than the author.)

Are writers in other genres any better off?

There are some great possibilities for crime writers. Smuggling and doctored vaccines come to mind, although it would be hard to better The Third Man. But plots can’t include: empty domestic property (though lots of empty workplaces); meetings, rallies, parties, institutional education, entertainment, non domestic accommodation, public events or sports venues. There’ll be no unobtrusive shadowing people through crowded streets or detectives interviewing ancient relations in care homes. Characters can’t travel far from home, let alone internationally, or use public transport without sticking out like a sore thumb; and they’re unlikely to go to hospital unless they have Covid-19. The public, bored at their windows, will denounce anything out of the ordinary for the sheer fun of it before the plot can develop; hunches will be hard to follow up and helpful contacts go awol; the criminal fraternity will be preoccupied looking after number one.

Romance is online only. Strangers can’t find love in bars, theatres, parks or at dinner parties. Physical contact is ill-advised even if they do meet. Attractiveness, let alone kissing, is just not the same with everyone in face masks. The media and a vigilante public hamper running secret affairs. Office romances don’t work from home and young nurses are too haggard and stressed to catch the eye of hardworking doctors. Lady Chatterley is indoors social isolating with her vulnerable husband and even Mrs Bennett reluctantly recognises now is not the time for matchmaking. Blood vows and pacts, balls, weddings, or christenings? Certainly not! Whether cops or lovers, characters will have little change in routine or conversation to propel the narrative forward. No chance meetings, few coincidences, most of their time spent staring at screens. Today’s idea of a giddy whirl is solving a Sudoku while the lockdown beer loaf bakes, and optimism means hoping the Patience will work out.

It’s easier for some authors. In the Fantasy genre anything can happen. (That’s why I tend not to read fantasy; I prefer the tension of limited possibilities – though not as limited as currently.) History is already over, so barring differences of interpretation and fact selection, fictionalising events involves the same storytelling skills it always did. As for Horror, Science Fiction and Dystopia – well. That’s what we’re in now, isn’t it? I predict most 2020 novels will fall into these categories.

A week is a long time in pandemics so having had the idea for this post, I’m not waiting till my usual Friday to publish. It might be out of date by then. I also wanted to remind you that The Magic Carpet is on promotion at only 99p until the end of May, if you’d like to visit an unfashionable London suburb between early September – 14th October 2016. Bizarrely, it’s currently selling better in Germany than the UK, but those pre-virus, post Brexit referendum days, just after Eid 2016 and still pre-Trump, may now hold a strange kind of charm and they’re still just about contemporary.

Stay well everyone, and alert, although that’s not the word I’d have chosen.

©Jessica Norrie 2020

 

A good deal of author news!

It’s funny how the sense of myself as a “real” writer comes and goes. The smallest thing can puncture my self-belief. But this has been an excellent week and I can hold my head high. When I looked up my ALCS payments they were much improved following a dip last season; my agent said Novel 3 is ready to pitch to publishers; and the French translation of The Infinity Pool appears almost ready to publish after a hiatus in which the translator quite reasonably got on with earning her living. In more good news, after many nominations by my agent, The Magic Carpet ebook has been selected for a UK Kindle Monthly Deal. Please tell your friends that from today for a whole month they can fly my magic carpet for 99p. Especially tell the parents, grandparents, child care workers, city dwellers and teachers – it’s uncanny that I wrote about urban families struggling and interacting as they cope with a home/school project and now here so many of you are homeschooling!

Magic carpet ecover[880].jpg
99p for the ebook for a month!
In an aside for fellow writers, it was selection for this sort of deal that pushed The Infinity Pool up the charts back in 2015. I think Amazon also advertise them, whereas normally we indie authors are left to sink or swim, so I’m hoping for better visibility, more reviews and improved sales. Being in a deal may also mean it’s price matched globally – worldwide friends, it may be only 99¢ or a very small amount of whatever your local currency is. (Please let me know – if I look at non UK sites I don’t necessarily see the correct data.)

To anyone still wondering whether they’ll get good value for their 99p, another affirming thing to happen this week was a BRILLIANT new review from bookblogger Felicity Grace Terry at Pen and Paper. I’m quoting it at length, not to omit too much of her enthusiasm. But do visit her blog for a refreshing style and good recommendations and not least to pay homage to a bookblogger who’s been at it more than 10 years! And please do comment when you get there – I know so well how much bloggers appreciate comments.

{OOH! A story about the telling of stories. For us bibliophiles things don’t get much better than this, right?}

…I just don’t know where to begin sharing all of the aspects that made it such a joy to read .

…Hats off to the author for giving us such a memorable and authentic cast of characters. That she gave them all (both as individuals and family units) such a unique (and thankfully stereotype and cliche free) voice; that each relationship (indeed every event) was written with such depth, it wasn’t long before I came to invest in them (and) they became as friends and neighbours…

Insightful, heart warming and thought provoking…

Not just well researched but heartfelt; the author’s knowledge and love of teaching young children apparent. That the novel explores just how the issues adults seek to keep from children believing they are shielding them can have a profound effect is just one of the many, many things that, characters and plot in general aside, made The Magic Carpet such an engaging and, yes, important read for me.

SUMMED UP IN A SENTENCE … The utterly engrossing story of a society trying to assimilate different cultures, backgrounds and faiths peopled by characters you cannot help but invest in, The Magic Carpet is every bit a story of our times.

Enormous thanks to Felicity, and thank YOU for your attention. Please do spread the news and I’ll report back later whether there’s still gold in them there deals the way there was last time. Meanwhile stay safe, all of you. And that’s as near as I’ll go to mentioning l*ckd*wn.

MC Pb cover jpeg - Copy

©Jessica Norrie 2020

Giveaway!

I’m sorry I haven’t been around since the end of January – I had another glaucoma operation in February and am limiting screen time. I don’t usually post mid-week either, but just wanted to make sure people who follow my blog know there’s a Magic Carpet giveaway on my Facebook author page. I posted it to celebrate International Women’s Day, because if you’re looking for strong women of many generations and ethnicities, Magic Carpet land is the place to go. It’s open until midnight UK time on Friday 13th (lucky for one). This is a UK only giveaway because of the cost of author copies and postage – SORRY – and you do have to comment under the pinned post on my author page to enter the draw. Then I’ll message the winner on Facebook to get their postal details.


In other news I am gearing up for a couple of blog posts – one reviewing all those books I was given to read in 2020, that fortunately my eye op hasn’t stopped me reading, and one exploring the very different outcomes so far for The Magic Carpet (better novel, better edited, better written) and The Infinity Pool (pretty good for a debut but now I itch to take it down and tighten it up). And yet which one got two Amazon number ones? Which one funded a bloody good holiday, some treats for home and family and made the accountant believe me when I said was now a writer? Currently the mighty, who perhaps had unrealistic expectations of the second novel after the success of the first, are slightly crestfallen. So please do enter that giveaway, or read The Magic Carpet on KU, or if you don’t win the giveaway either message me for a mobi file to review or even treat yourself, and let me know what you think. If reviews and sales suddenly zoom, I’ll write a far more celebratory blog post and get back my mojo to tackle the edits for novel three!

© Jessica Norrie 2020

We’re home from the blog tour!

My first Amazon.com review appeared on the other side of the pond recently, and it’s a great endorsement of both The Magic Carpet and the blog tour process: When I read the first few paragraphs of a review on a book blog I happened onto… I thought-wow! I really like the way this author writes! I left the blog and immediately bought the eBook. And I did not want to stop reading… I felt warmed sometimes, and then very sad sometimes, and educated in things I didn’t realize, and … finished … with a hopeful heart. I think many people would benefit from reading this book

This was a less interactive blog tour than most. I was due to have an operation in August, so rather than take on several q and a sessions, Anne at RandomTours suggested writing guest posts and choosing extracts in advance. The rest would be reviews. I was quite excited! As the Tour started, my sales had stuttered after a decent start. My Amazon UK rankings weren’t threatening Margaret Atwood or even A. N. Other. I only had a handful of (good) reviews.

Magic Carpet BT Poster .jpg

Day 1: A gentle start, from The Bookwormery. No immediate change to Amazon rankings but it was lovely to see Lesley’s review there (I can’t find it on her blog now so I’m glad she copied it elsewhere) and on Goodreads. Note to self: don’t be impatient!

Day 2: To my great pleasure as a committed Remainer, I went European on The Magic of Wor(l)ds which is a Belgian blog. Stefanie, a Dutch/English/Spanish/French speaker who like my own daughter is a corporate translator, hosted my guest post on “Challenging my characters“. Dank je/thank you/gracias/merci! Note to self: Comments may not appear in English…

Day 3: Woke to find MC at #33,000 on Kindle Store. Watch your back, Margaret Atwood… We haven’t reached the glory days of my Great Amazon Dinner Party, but maybe we’re getting there with a wonderful review from The Book Decoder, who’s given an Amazon.com link, although it appears on Amazon.uk. Note to self: Make sure universal link works well.

Day 4: Naughtily, I got impatient at seeing nothing until late in the day, then remembered with shame the blogger is a mum and Special Educational Needs teacher – she has other things to do with her time. Her Herding Cats review when it came was stunning. I was so touched that this women, who could have been a character in my novel, had got it so right – and shocked that she was still responding to comments at gone midnight! Note to self: Don’t assume the blog tour organiser does ALL the work. The author must still be alert to posts going up, which could be any time of the day or night, ready and able to share them widely, and available to respond to comments. 

Day 5Random Things Through My Letterbox.  It’s good news to be featured by Anne Cater who is bookblogger royalty. This was my second guest post, so I skimmed it but I’m very grateful for the wide reach it will have had. Note to self: Bloggers all use different formats and have different audiences. I now realise the tone that works on my own blog sounds a bit, well, pompous elsewhere. 

Day 6: The most amazing review I’ve ever had would have made the whole tour worthwhile all by itself. Since previous days had already set the bar high for blogger understanding and appreciation in reviews, this one had to be good to outdo them. Huge thanks again to Julie at A Little Book Problem who also gave me a lot more insight into a_little_book_problem1how bookbloggers feel when tour organisers come knocking! This is one of the ones that you volunteer for because it sounds interesting and you have a gap in your schedule. You want to help out the organiser. You pop it in your diary and pretty much forget about it until it comes round in your reading rotation. Sorry to continue the quote, but, well, wouldn’t you? Then boom – you realise that you have stumbled on a beautiful gem of a book, a nugget of gold that dropped into your palm unexpectedly and you are so, so glad that you are a book blogger and that has allowed you to discover THIS book, this book that changes the way you think about things, that makes you see the world differently after you’ve read it. This is what makes book blogging such a privilege and a joy. As was receiving a review like that.

Day 7B for Book Review This was a second European blog (Dutch?) The first extract, with my Somali heritage mum and daughter reading a book together. I hope it gives a good flavour. I hope it makes people want to read. That’s all I can do. Note to self: If an extract will appear in a small lime green font on a white background, keep it very short and snappy! I’m not sure anyone read this.

Day 8TheBookCollector32 This one didn’t happen. Shame – I’d have welcomed appearing on a blog hosted in India especially given the origins of the characters in the book. So after some hesitation I contacted the blogger and she will post a review next month. I’m glad she’s feeling better!  Note to self: nothing ventured, nothing gained. 

Day 9Being Anne. I’d begun worrying about this guest post, realising how pompous my articles can sound. But rereading the “story” about storytelling I’d written for Anne, it worked well. Anne’s another highly experienced and prolific blogger (what is it about the name Anne and bookblogging?) and spreading the word a lot too. She’s also delightfully honest, admitting that The Infinity Pool has sunk without trace inside her Kindle.

Day 10: Over the Rainbow Book Blog Another busy mum posting late in the day, with a last kind review to add to the ones I look at when morale is low. She turns out to live locally, so I’m hoping for coffee and a chat sometime.

My UK rankings whizzed up to only 15,000 short of Atwood. I’ve gained several excellent Amazon reviews with additional Goodreads ratings and reviews in the bag for future quoting. The effort for me was writing some guest posts, collecting links, photos and extracts and sending them with (the very reasonable) payment to the organiser. Then I had to share the results on Facebook, Tweet madly and respond to comments.

Would I do it again? Probably. The sales had a modest spike, but haven’t paid for the blog tour yet. For now I’ll settle for critical acclaim over money in the bank, hope that some of the blog readers will still buy, review and recommend and take a break from marketing to work on Novel Three.

The Magic Carpet Advert .jpg

Things I’ve learnt:

  • Give the tour organiser the right short link. Some bloggers were linking to Amazon.uk, others to Amazon.com, one didn’t provide a buying link at all.
  • When writing guest posts, remember other bloggers use different formats to mine. Long earnest paragraphs look daunting. Other bloggers may not lighten them with illustrations so they appear dense. Avoid this with a lighter style of writing.
  • Set aside time for commenting, sharing on social media and thanking bloggers.
  • You do get a bit addicted to the attention and it’s still worth contacting bloggers individually. Since the blog tour ended The Magic Carpet has also visited Linda’s Book Bag and Katy’s Writing Coffee Shop and lovely Sally at Smorgasbord has been kind enough to reblog past posts too.
  • Learn how to use the hashtag properly or don’t use it at all – I’m not sure mine always leads to the book. Sometimes you get rival products instead.
  • Don’t expect the earth and don’t get obsessive!

Jessica Norrie ©2019

 

We’re going on a blog tour!

When I published The Infinity Pool in 2015 I barely knew what a blog was, let alone a blog tour. I didn’t envisage blogging myself, and I had no idea of the goodwill, time, energy and commitment put into spreading the word about books by bookbloggers, helping readers choose and writers survive.

More experienced authors pointed me in their direction and I began to get in touch with them, mostly via Facebook. It could be laborious – not because the bookbloggers were obstructive or unhelpful, quite the opposite. They were generous, informative and kind. But life became full of tasks and lists:

  1. Identify and visit blogs.
  2. Get a deeper sense of their flavour by exploring a number of posts.
  3. Read guidelines, consider if they apply to me.
  4. If they do, construct a polite contact email.
  5. Await a reply, consider whether to contact again (most bloggers are very prompt about responding so this wasn’t often necessary. However, a sub task was keeping a record of who I’d contacted.)
  6. Sort out what I had to do when they replied with an invitation, eg write guest post / send blogger a copy for review / answer blogger’s q and a / fit answers to quirky format only used by individual blogger to help them stand out. Send them.
  7. Put together all the other documents they need, eg extract / links to buy book / author photo and biog / social media links / cover images. Send them.
  8. Make a note of the date the post will appear.
  9. On that date share it on Facebook, Twitter and anywhere else I can think of, bearing in mind that overkill is, well, overkill.
  10. Share it again later (remember overkill though. And underkill.)
  11. Thank anyone else who’s shared it on Twitter, Facebook, etc.
  12. Now I have this blog of my own, reblog the post (having first remembered to ask if the original bookblogger is happy with that).
  13. Respond to any comments, on the original blog and my own.
  14. Thank the bookblogger…
  15. Add details to my file of “online presence” because agent told me publishers like to see authors have one when considering whether to take their books.
  16. Repeat…

It all takes time; my eyes even then were finding it a strain spending too much time gazing at screens; my grasp of Twitter was (and remains) more a case of clutching at straws.  

As one kind early reader of The Magic Carpet said, “Such an impressive leap forward!” Now a proud author second time around, I’m about to have my very own blog tour for #The Magic Carpet. No’s 1- 8 on the list are taken care of by the blog tour organiser – huge thanks to Anne Cater at #RandomThingstours! I’ll certainly still be contacting bookbloggers who aren’t involved at some point, but for now I’ve enough time on my hands to spend some of it adapting a much loved children’s rhyme (appropriate as my book involves children discovering the power of stories and words). 

MC blog tour

To the tune of “We’re going on a bear hunt!”

We’re going on a blog tour. It’s going to be a good one! I’m a bit scared  – What will the bloggers say?

Uh uh! A guest post! A compelling original guest post! I can’t not write it. I can’t write badly…Oh, gee! My audience is waiting!

We’re going on a blog tour. It’s going to be a good one! I’m a bit scared  – etc.

I did write more verses but I’ll save them for a rainy day when I can’t think what else to blog about. A troll comes into it, but I think we have him licked. I’m sure you get the gist.

Anyway, whether readership, reviews and sales rise or not, THANK YOU to the clever, generous, unpaid, sharing bookbloggers from The Bookwormery, The Magic of Wor(l)ds, The Book Decoder, Herding Cats, Random Things Through My LetterboxA Little Book Problem, B for Book Review, TheBookCollector32, Being Anne, and Over the Rainbow Book Blog for showing my book to the world from Monday 16-Wednesday 25 September. Also for spreading the word about books in general, to benefit readers and writers everywhere.

The Magic Carpet Advert 2

©Jessica Norrie 2019

The glaucoma (occasional) diaries

This is NOT going to turn into a blog about my health. There’s nothing wrong with bloggers charting their health; many are very brave and interesting people and when you have mental or physical health issues you have to get through them however works best for you. But this is my books and writing blog!

That said, last week I had very kind responses with requests for an update, so here goes. And you never know, an occasional diary of glaucomatous events may help with notes for novel four. (“Don’t forget me!” squeaks novel three.)

I have nothing but praise for the skill and kindness of the medics and nurses at Moorfields Eye Hospital in London. It’s early days and I’m finding in a strange way that I’m much more preoccupied with the day to day unrolling of the treatment than with whether the eventual desirable outcome is reached (which is to retain and protect my remaining right eye vision before it goes the way of the rest).

Glaucoma fields test
This is a “fields test” on my right eye, last December. The black sections are vision lost to glaucoma. The treatment involves trying to stabilise pressure behind the eye to halt or slow any further loss.

First Dr K answered a simple question I could have asked weeks ago but didn’t dare. Turns out a “bleb” isn’t a bit of medical equipment/foreign body/object/weird plastic thing the size of a Macdonalds toy as I’d assumed. It’s a drainage flap cut directly in me. Curiously, when he explained this he was so matter of fact about it I didn’t mind at all.

Go figure –  Dr K (I’d name him in dispatches but will ask his permission at the next appointment) cut and stitched the inside of my eyelid. He had no computer guide or laser tech magic; he did it by hand. At follow up appointments he adjusts the stitches by pressing/pushing lightly on the eyelid, to alter the pressure of fluid on the eye, much as you’d adjust gathers in a curtain. I had a general anaesthetic but since that wore off I have felt no pain and minimal intrusion from the stitches.

If you’re looking for a quiet relaxing thing to do in the frenetic City of London on a midweek afternoon, you can’t beat a well judged general anaesthetic. Sure, I was a bit hungry after fasting since 7am, so while waiting to go in I’d described all the things I’d like to eat. Anticipating a post GA sore throat, I conjured up smoothies, yoghurt, jelly, juice. I asked for dried apricots and prunes – lying around all day might slow things down. I’d satisfy my energy needs with pasta salad with mozzarella, take sundried tomatoes and dark green leaves for iron, and a flapjack or cereal bar just in case. Plus grapes because after all I was a patient. I was just passing the time but in the hotel room that night I found: a bright orange smoothie and one called Blue Machine, honey yoghurt, mandarin jelly with fruit slices, apple juice, dried apricots, prunes, pasta salad with pine nuts, more pasta salad with roasted vegetables, olives, sundried tomatoes with mozzarella balls, rocket and watercress, strawberries, grapes, an oat flapjack, a cereal bar, and some camomile tea. As it turned out the anaesthetist’s skill had avoided a sore throat and I was more sleepy than hungry. Fortunately B always has an appetite, and we hope the cleaners enjoyed the things we left in the morning when we couldn’t manage them after the hotel breakfast.

Glaucoma sunglasses
Which would you choose?

The operated eye is bloodshot at levels Boris Karloff would envy, which offsets my blue irises brighter than any coloured contact lens. My glasses prescription no longer fits and I find glare difficult. A kind friend who gives a lot of parties brought round all the sunglasses people left in his house and didn’t collect, which helps, although it further complicates the issue of whether anyone has seen my glasses. I have a plastic eye shield to wear in bed in case I scratch the wound, and over the next three months over 600 doses of eyedrop, antibiotic or anti inflammatory to take. Have filled the prescriptions asap (did you hear about Brexit and the medicine shortages?)

But it’s only a week later, and I can now read several pages without tiring (Shirley Jackson, must tell you about her another time). I can report that the general anaesthetic did wonders for my back! Today is the first day back at the computer without discomfort which is just as well as I have six posts to write, for a Magic Carpet blog tour and some other commitments I made. The cure for any sad carpet is a good airing, aka publicity. The Magic Carpet is earthbound after its initial flurry. If it had sails, I’d say the wind was out of them, despite recent puffs from some excellent reviews for which I’m very grateful. So friends – if you’re nearby please visit (I’m still a bit wary of outings that might get dust and pollution in my eye). And if you can do anything to help The Magic Carpet weave its way further up the contemporary fiction charts at Amazon, I’d appreciate it as much as any bunch of grapes.

 

Glaucoma meds
…and that’s just one of the meds. Hooray for the NHS!

©Jessica Norrie 2019